By Jasmine McBeath
From the moment I learned about the International Folk Art Market, I knew I had to visit the one-of-a-kind fair that empowers artisans and sustains traditions from across the globe.
Meeting artists in person and seeing their crafts was inspiring. A painter from Cuba saw us eyeing her "Gallo Soñador," a rooster standing proudly in front of a bright cityscape. She explained that their artists paint like children, with open minds. If they feel the sky is yellow, then it is so and no one tells them differently. She said this to us in Spanish, not pausing to ask if we understood. I translated for my friends later, but even in the moment everyone understood her passion. I couldn't help but admire her confidence. She was like the colors she described: she didn't need to change anything to fit, and she didn't let anyone tell her differently. We went back at the end of the day to see the rooster again, but someone had already bought the painting.
As impressive as it is, Uganda Crafts 2000 is not alone in its compelling background and mission. The IFAM is full of success stories, strengthening artisan cooperatives in Brazil, creating livelihoods for women in rural Indian, fostering opportunities for girls in Pakistan, and changing the future for children in Madagascar.
Below is an especially moving piece illustrating how the market changed the lives of silk weavers and their community in Sandrandahy, Madagascar:
The stories go on and on, and I wish we could have spoken with everyone. As we were leaving, and a poster caught my eye. It boldly announced, "It's not a market, it's a miracle." As Oxfam's well aware, empowering people to influence decisions that affect them and improve their lives really does cause wondrous changes. I thought of the artists I'd met on the way home as I held Nusulah's basket in my lap and imagined the dreaming rooster riding in someone else's car.